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What MUSIC are you listening to?

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30 Oct 2016 13:44 #237191 by OldHippy
Good lord, I've been listening to more stuff than I can honestly discuss here. But I'll try with some of it.

Tanya Tagaq's new album, minus one failed attempt at pop rap, is incredible. I don't feel it's the best thing she's done though. Which many reviewers have said, her last album is about equal with this one but it's still worth some serious time and no one makes albums that sound quite like what she does. It's not easy to listen to but it is very rewarding if you have the patience for it.



Kris Kristofferson: I've been aware of him most of my life but haven't really listened to him that closely. I knew the hits and a few other songs due to covers but recently, thanks to my spotify account, I've listened to a lot more and I'm really digging his songwriting style. This tune in particular, which reminds me a lot of something Leonard Cohen would do, moved me very deeply.



Van Morrison is one of those artists I've always felt never achieved his true potential. I love Astral Weeks but most of his albums didn't really grab me. A couple of weeks ago I started listening to Veedon Fleece and it blew my mind. Easily as good as Astral Weeks, just an incredible album.



I checked out everyone on the Polaris Prize list just for kicks. I didn't love any of it but it was all... good. Grimes new album was interesting in places but then there were these odd changes occasionally to some kind of pure pop aesthetic and it kind of fucked up the flow of the album.

If there are any Ween fans around here I can say that Dean Weens new album, The Deaner Album, is actually pretty damned good. It won't win any new fans but people who like Ween should be on board. Here's a silly little song and video for his lead single Exercise Man.



... and much much more but I'm gonna stop here.
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06 Nov 2016 22:24 #237560 by stoic
.



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06 Nov 2016 22:55 #237562 by Michael Barnes
My kids LOVE Babymetal.

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07 Nov 2016 10:45 #237598 by stoic

Michael Barnes wrote: My kids LOVE Babymetal.


I only discovered them since I saw that they're opening for the Red Hot Chili Peppers in the UK so I decided to check out their videos. The metal is good but it is an awkward and strangely compelling combination.

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18 Nov 2016 11:49 #238772 by OldHippy
Babymetal is interesting in the way that all paradoxes are interesting. I can't stand it personally but it would be a lie to say I haven't sat through three of four video's trying to figure out why.

It's that classic thing people do in writing where they put opposites together. You don't write about an evil demon... you write about the gentle demon because it draws the reader in more. You don't write about gentle love, you write about the love that will kill me. Babymetal appeals in a similar way. I keep checking it out in hopes I'll find something to like... but I just can't do it. Still, it is fascinating.

Look, I know that the Leonard Cohen is dead threads didn't get anywhere near the traction that Bowie or Prince did....

Fuck you guys!

Listen to his new album. It's goddamn genius. His best work since I'm Your Man (although he's had plenty of good ones in between too).

Check out some of these lines...

I heard the snake was baffled by his sin
He shed his scales to find the snake within

or

They ought to give my heart a medal
For letting go of you
I turned my back on the devil
Turned my back on the angel too

maybe you need a whole song to get it... here's one track from the album called

Steer Your Way

Steer your way through the ruins
Of the altar and the mall
Steer your way through the fables
Of creation and the fall
Steer your way past the palaces
That rise above the rot
Year by year
Month by month
Day by day
Thought by thought

Steer your heart past the truth
You believed in yesterday
Such as fundamental goodness
And the wisdom of the way
Steer your heart, precious heart
Past the women whom you bought
Year by year
Month by month
Day by day
Thought by thought

Steer your path through the pain
That is far more real than you
That smashed the cosmic model
That blinded every view
And please don’t make me go there
Tho’ there be a god or not
Year by year
Month by month
Day by day
Thought by thought

They whisper still, the ancient stones
The blunted mountains weep
As he died to make men holy
Let us die to make things cheap
And say the Mea Culpa which you’ve probably forgot
Year by year
Month by month
Day by day
Thought by thought

Steer your way, o my heart
Tho’ I have no right to ask
To the one who was never
Never equal to the task
Who knows he’s been convicted
Who knows he will be shot
Year by year
Month by month
Day by day
Thought by thought

They whisper still, the ancient stones
The blunted mountains weep
As he died to make men holy
Let us die to make things cheap
And say the Mea Culpa which you gradually forgot
Year by year
Month by month
Day by day
Thought by thought

It's his death album, he knew he was dying, the cigarette on the cover is a sign that he knew cancer was killing him. Go listen to this and get on board with the greatest lyricist our language has ever known (no debate) and the greatest English Language songwriter to ever live (you can debate this one if you like). I've been listening to it over and over again for a couple of weeks now. It's worth it.
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28 Nov 2016 10:07 - 28 Nov 2016 16:57 #239242 by Black Barney
i sure like this a whole bunch... people are saying it's Springsteen spliced with Dylan but I think it's AC/DC spliced with Elvis Costello, creating a neat Alternative sound :)

Last edit: 28 Nov 2016 16:57 by Black Barney.
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28 Nov 2016 18:57 #239315 by JEM
Band Maid knock Babymetal into a cocked hat, and that's all there is to that.



Still listening to Stellardrone a lot at night, but I've gone pretty deep into Perturbator also. I'll leave this here as a sample:

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05 Dec 2016 09:59 - 05 Dec 2016 11:16 #239824 by Mr. White
I haven't been able to get into Perturbator beyond a handful of tracks I've included in my DreadBall playlist. I can appreciate doing something different with the genre, but ultimately I don't think it's for me.

What is for me is this newly released album of older College tracks. For my dollar, College is still the premier synthwave act and these cuts are exactly what I want. A lot of artists skew a little more complex or pop. College retains that Carpenter/minimalist vibe I appreciate. Definitely evokes that nostalgic, yet new feeling. Great stuff!
vehlinggo.com/2016/12/02/college-valerie-old-tapes-review/

My favorite tracks are 'Des prises', 'Challenger' and 'College', but the lead single is good as well. The video of the abandoned mall is perfect. Would be better if shot at night though...
Last edit: 05 Dec 2016 11:16 by Mr. White.

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05 Dec 2016 11:01 #239833 by Michael Barnes
I'm pretty sure that is Monroeville Mall, where Dawn of the Dead was filmed.
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06 Dec 2016 23:20 #240003 by Shellhead
Feeling funky right now, so Nice 'N' Naasty, by The Salsoul Orchestra.

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09 Dec 2016 21:58 #240291 by stoic
.

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09 Dec 2016 22:49 #240293 by stoic
.

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09 Jan 2017 15:16 #242114 by Black Barney
I recently discovered this cover of Peter Gabriel's Book of Love on my buddy's Spotify while we drove to Manchester by the Sea...

I think it's beautiful... slow-danced to a live version with the g/f, it was nice :)




but here's the thing, in finding this cover, I found another cover of it that I think is also incredible in different ways. So awesome...



man, what a voice. soft, haunting and honest.

how did i not know this song when Peter Gabriel used to do it?

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15 Feb 2017 18:23 #244017 by Michael Barnes
I was on a long drive by myself the other day and I realized that I had not listened to Skinny Puppy in like, 20 years. Which is kind of weird, because around 1990-1993 they were on the Favorite Band list. But they dropped off and kind of disappeared after a couple of cruddy albums and a haze of endless sub-par Euro-electro bands they influenced- Wumpscut, Haujobb, Leather Strip, etc.. All of which missed a couple of key ingredients. One is that SP was _weird_. Another is that they were more psychedelic than fascistic, futuristic, or S&M club oriented. And for all of the goof-ass goths whipping each other in clubs to "Inquisition", they had an actual, thoughtful agenda with real-world politics, animal welfare in particular. They were also inheritors of the Alice Cooper shock-rock tradition in a hugely successful way, as evidenced by the 1992 Last Rights tour...which remains one of the best shows I've ever seen.

I thought this stuff wouldn't hold up, especially since I was in my early 20s the last time I heard it. But the shock is that it totally does, even their earliest material. Now I am listening to it with a greater awareness of Chrome, Portion Control, and more experimental, outsider kinds of electronic music and they make more sense than ever. Yet it isn't nearly as harsh or transgressive as it seemed back then. Now, the poppy, hooky elements shine through and it doesn't seem that far removed from Pretty Hate Machine. Or Depeche Mode.

Digging into the records before Goettel died, there is some AMAZING stuff in there. Most of the best you can hear on the singles collection. But "Worlock", "Dig It" (which sounds a awful lot like an alpha version of "Down in It"), "Assimilate", "Testure", "Spasmolytic"...all of that still sounds great. The arrangements are complex, the programming impeccable, and there is some actual songcraft to be appreciated even in their most aggressively unpleasant tracks. I'm actually enjoying it MORE now that the whole goth/industrial thing has gone away.

That Last Rights show was something else. It was all very theatrical. There was a tree on stage with body parts and heads hanging from it, it looked like some kind of GW thing. Ogre would go into this virtual reality machine that had a camera in it close in on his face and he would get attacked by some vague force. He grew extra limbs, there was all kinds of Cronenbergian body horror. At the end, he came out in this big, mutant suit and at the end of the set he somehow got out of it but you couldn't see him leave so it just left the shell of it. It was INTENSE. Live drums, live guitars and all the programming. Lots of psychedelic/cut-up projections. You might compare it to Gwar, but that's kind of stupid because this was something more horror-oriented and serious. My girlfriend at the time hated it all, she was more of a Peter Murphy/Love and Rockets/Siouxsie sort of person. I bought three shirts.

Some of the later stuff, at least the post-millennium records, are actually quite good much to my surprise. There are some really solid tracks on "Weapon", the most recent release. They definitely fit in with the sound from "Vivi Sect VI", "Rabies", "Too Dark Park" and "Last Rights". It still has that Chrome/Portion Control sound that is really key to what they do. There is some cheese-dick industro-metal on a couple of the records I could do without though, but that was on "Rabies" too, really.

Also listening to lots of Laura Nyro. So there's that too.

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16 Feb 2017 01:18 #244027 by dave
SP is still my (second-)favorite band. They mean a lot to me personally, and, objectively, I think they are absolutely genius (and I say that about very few of my favorite bands). I'm a fan of the genre in general (including bands you mention above), but they really transcend their peers.

Coincidentally, I listened to Weapon today (and it's infrequent that I listen to a whole SP album these days).

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