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What TV SHOWS are you watching?
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- Jackwraith
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- Maim! Kill! Burn!
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That said, I can certainly understand Shellhead's disaffection with the characters since, like Succession, they're all assholes of one kind or another. I'm fine with that, as it's part of Succession's appeal. You watch in morbid curiosity of just how much more of an asshole everyone can be (and they're often so much so that it's hilarious.) In this case, I don't think any of these characters are as well-formed as the ones on Succession, so I don't think they'll be able to reach the same depths... but they could have been, if the FIRST HALF OF THE SEASON hadn't just been a prologue. Whichever studio exec was the one who decided that the first FIVE episodes had to be an explanation of how we got here should be shot (or at least fired.)
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Did we NEED to see Daemon taking the Stepstones, or could we have just heard brief mention of it? How much of Cole and Rhaenyra's past is relevant? I'd argue they have already cut the younger girls relationships to the bone, they could have stretched Milly Alcock out through some of Rhaenyras early pregnancies if they wanted (by book time they are, right now, at Rhaenyra at 23, Alcock is 22) but that would mean they fed into GRRMs lust for 15 year old pregnant brides.
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- hotseatgames
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Rings of Power is a bit frustrating in that Galadriel an entirely unlikeable character and to say the writers don't care about the timeline of events would be an understatement. It's still enjoyable if you can detach your brain entirely from logic, but if you are one of those people who wants your TV shows to make sense it is pretty garbage.
Andor is alright. First two episodes show him as a truly horrible person after that it starts to show him as a man who is turned to a "good" person by getting dragged into the rebellion. The settings and set designs are stunningly well done. I love that it is not Tatooine and there are no Jedi nor Skywalkers. It's filled with real people doing things for realistic reasons.
Gave up on She-Hulk a while ago. That thing was pure hot garbage.
I gotta say I understand why streaming services are having problems with people subbing, bingeing, then cancelling. I hate the weekly single episode releases of these shows. Me and my family are not exactly TV addicts, we sit down to watch an hour of TV after the kids are showered maybe four times a week. Over two services we don't have enough content to fill that demand without going to some back catalog item. Basically if they want people to subscribe the entire year, I feel they need to put out more than a month's worth of content every year.
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- Disgustipater
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- D8
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I felt like there were too many "overly dramatic world changing events" episodes. I miss the week to week adventures. I really liked the episode with Gordon going back in time, and I cannot emphasize how happy I am that the Kaylon stuff is done and over with, hopefully to never be visited again.mtagge wrote: Got one more episode in The Orville. That third season is amazing
One of my main gripes with it, and seemingly most shows or creators that move to streaming after being on network TV, is that they have no time limit restriction and the episodes are way too long. There are so many overly long and lingering shots that don't add anything in my opinion. Limitations foster creativity and all that.
I really hope the Futurama reboot doesn't fall into the same trap.
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mtagge wrote: I gotta say I understand why streaming services are having problems with people subbing, bingeing, then cancelling. I hate the weekly single episode releases of these shows. ....Basically if they want people to subscribe the entire year, I feel they need to put out more than a month's worth of content every year.
I think, as the streaming model evolves, that we will start to see "Seasonal availability" of shows to target the monthly bingers. So "Stranger Things" is only available from July to Nov, stuff like that. Sort of a new spin on Disney vaulting their DVD releases to manufacture artificial scarcity.
My problem is that I hear of a cool show, it's on a service I don't have, and guaranteed within a week I'll have either forgotten the show or forgotten where it is. Or we start something after some random thumbing through catalogues and then forget where it was, it falls off the front page, and we never go back. I imagine there are entire departments at these services that can analyze viewer habits down to the second to better combat disinterest. That kind of data was hard to get before, but now they know exactly how many viewers nope out after a specific scene or stretch of time without action, etc to better build their algorithm for making addictive programming.
I also suspect they scrutinize scenes where viewers go back and rewatch, over and over, to better build a profile of said viewer....then they know when the dialogue was too garbled, yeah, that's the reason
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-The villagers are able to all sneak out of the tower (except for Arondail) and hide in the forest so that the Uruk army is trapped in the tower courtyard. Arondail is able to collapse the entire tower by a single arrow shot to a rope that was holding the entire tower from collapse (that people filled the previous episode).
-The villagers somehow sneak back to their pristine but empty village and setup defenses. That night when the Uruk attack comes they are able to fend off the Uruk. But surprise, it turns out the Uruk were not Uruk at all, but willing human volunteer soldiers complete with masks. They were f'king not (I'm not going to rewind the video to check, but they really were not). Oh, except for the one who wrestled with Arondail for five minutes, he really was an orc.
-Anyway, the true Uruk army shows up this time, with full strength as if they were not damaged at all from the tower collapse, and attacks the village easily taking it over. They trap the villagers in the tavern and get the key they seek after some murder of hostages. Just then day breaks (huh, must be June 21st for night to only be one hour long, but the weird part is Mordor isn't at the South pole) and Galadriel's Numinorian calvary attacks! They easily win.
-Adar (the first Uruk apparently) steals one of the horses and key (but not really he already gave it to someone he met yesterday to use the key creating the sequence of events to make Mordor the black lands) and as fast as he can takes off. Galadriel follows in hot pursuit. She even uses some elven words to speed her horse to make up the distance. Then BOOM, out of nowhere Halbarand coming from the opposite direction uses his spear to trip up Adar's horse. Our theory is that he circled the globe in those three minutes to come from the opposite direction.
-Anyway, the battle is won (all the orcs are taken prisoner, not killed as Galadriel swore to do) and all the villagers meet Halbarand for the first time and immediately accept his as they king that was prophesized. Despite apparently being the king from the region no one has a clue who he is or that there even was a king.
-Meanwhile, the tavern owner who defected and was given the key from Adar unlocks some ancient engineering structure that redirects the river to all the tunnels the Uruk had been digging in secret with their army of captured slaves the last few weeks. This apparently causes the river towards an active volcano (Mount Doom) and triggers an explosion. The entire village (along with Galadriel, Isildur, and Halbarand) are engulfed in scalding smoke and pyroclasm. Cut to black!
That's the episode folks. I don't expect the writers to be engineers, and I am okay with time dilation for the purpose of story telling (although West World's extreme use of it to confuse on purpose was stupid to me), but I do need outcomes from one scene to effect the possibilities of the following scenes. Otherwise each individual scene is meaningless.
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GRRM almost maliciously punished "good" characters in ASOIAF because it's pretty clear in history that "doing the nice thing" often just gets you exploited and/or killed. In HotD at least you have clear motives linked to self-survival, no one is going out of their way to hurt others, well, at least not crossing the street to hurt others.
Looks like they are setting Aemon up to be the closest to a moustache twirling (maybe eyepatch tapping) bad guy but even he, so far, shows humanity when it leaks out of a teenage boys psyche.
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RobertB wrote: House of the Dragon: much better than last week. Explained a few things to the dummies in the audience, like me. Everyone's now picked sides, and are ready to rumble.
I'm a week behind, but about halfway through ep. 6 (not this week's, but last week's) I was thinking a Wikipedia entry would've been more interesting to me.
Far from a hot take at this point, and probably far from the majority opinion, but I feel like I have to give some props to the conclusion of s3 of Star Trek: Discovery, the season before the most recent one. I feel as though the show climbed up from pretty terrible (s1) to not quite so bad (s2) to middling but watchable (s3). The plot holes are still there; there's too much action for my taste relative to any meaningful engagement with the concept of "Star Trek"; there are any number of times where the writers think what they've written is cooler/edgier/whatnot than what it is. But fair's fair. They took some chances here, including giving Michael a much-needed personality transplant (not a knock on the actress; it's just what she was given to work with) and moving us out of prequel territory. It's still kind of garbage, but it's not Picard-level garbage (at least Disco s3).
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My daughter didn't like it; she thought it had too much gratuitous T&A, and stopped watching. I told her the combination of anime, the Cyberpunk universe, and the natural inclination of Projekt Red was going to push the show in that direction, but she wasn't buying it.sornars wrote: I'm late to the party but I enjoyed Cyberpunk Edgerunners. They do a lot of make you care about the characters in a relatively short space of time. The story itself is nothing special but it does its job in delivering its message. The world building is cool and the animation great. I had no exposure to the IP but after watching it I wish I could tolerate first person shooters because I'd like to play the game. I guess as a tie-in medium, mission accomplished for CD Projekt Red.
For those of you interested in watching it, be warned that you will see animated nudity.
And CDPR should have pushed for that show a couple of years ago, although it may still rev up the franchise a little bit.
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