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Fortress of Horror 05 - The Texas Chainsaw Massacre
There's just some things you gotta do. Don't mean you have to like it.
As much as I criticized A Nightmare on Elm Street for its subpar acting, there just might be such a thing as a movie being more well-crafted than it needs to be. The Texas Chainsaw Massacre might be one such example.
The dialogue is largely the fairly normal, throwaway kind of things that people say. By extension, the acting, while certainly not phenomenal, is entirely passable. It's shot like a documentary, further adding to the natural feel to it. The score, if you can call it that, is sparse and would more comfortably fall into the category of "ambient noise." Finally, the effects, the sort of thing that you might see and for a split second on some level of your subconscious wonder how it was done, are next to non-existent. What I'm getting at here is that once the terror ratchets up in this thing, there's nothing there to pull you out of it to remind you that it's only a movie. The last 20 minutes is exhausting. For starters, so much is left up for your imagination. There is no gore. The antagonists of the movie, Leatherface and his cannibal family, get no explanation, no motive, and aside from this brief glimpse inside their sick, sadistic lives, you're left knowing nothing about them other than that they exist. The last scenes are dizzying. The claustrophobia-inducing camera work, the metallic shrill of the soundtrack, the non-stop shrieks of the family's "dinner guest," and the set design that leaves your eye feeling like there is no safe place linger. It is an all-out assault on the audience.
While I certainly do not enjoy this kind of cruel, malicious horror film, I cannot entirely dismiss it either. While similar movies, even ones of the same era, rely on pushing the envelope and grabbing you by the hair, forcing you to see that they're pushing it in order to shock and disturb, TCM utilizes legitimately solid film making to achieve the same results. I went back an read what reviews I could find from the time in which it came out. All of them mentioned how gory and bloodsoaked it was, which is entirely not true. The outrage that this movie caused while essentially showing nothing is, to me, the mark of true craft. I don't necessarily have to like the movie to praise it.
SCARE RATING: 4/5
OVERALL RATING: 4/5
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I've watched this with people younger than me and many aren't impacted AT ALL by the film. I think that has more to do with how tame the film is by today's standards. It's not overly gory, it's not sexy and it lacks silly jump scares most audiences crave. I also think the film's legacy sets it up to be this crazy bloodbath when it certainly isn't. People want torture porn with in your face scenes of grim violence and loud noises. I can't stand that shit.
TCM is a true horror film about horrific acts. It's not stylized or meant for mass appeal. I find it gets under my skin quite a bit...which is impressive because I know whats coming. It just goes to show that less can always be more.
What are your thoughts on the sequels, remake, prequels pre-sequels etc...
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- Michael Barnes
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Of course, it isn't. It's a small "hillbilly horror" picture that really isn't all that gory and it's actually almost old fashioned in how it builds tension. When something nasty DOES happen, it really fucking counts. Hooper didn't spoil the shock of that meathook with ten other equally violent scenes. This is something that Eli Roth and other torture porn peddlers don't get.
The scene that really gets me is the dinner...the part with grandpa, the girl, the hammer and the bucket. That is by far the most disturbing thing in the entire movie. She's screaming and whimpering the whole time. When he drops the hammer on her, it's so realistic and verite that it sells the entire scene. It's not the willful blow that makes me flinch, it's that he drops it on her.
And of course, the big metal door. Which is one of the scariest things ever in any horror movie ever made. The lunatic with a chainsaw isn't anything compared to it. That big metal door- and the _suggestion_ of what it hides- is scarier than Leatherface ever was.
I think this is a great horror film that blurs into terror film, but I do agree that it is exhausting in a way that few movies are. And it is cruel as well as grueling. But there's such an 1970s honesty about it, such a sense of it documenting the deranged that it emerges as a true classic of American horror cinema- and it's a perfect film for an America that at the time of its release was still in the final days of Vietnam.
All sequels, remakes, prequels, etc. should be avoided at all costs.
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Just to clarify, I definitely think this is a great horror film, as Michael said, it's a rare case in which terror transcends into horror. It's entirely due to what you don't see. When I watched it for this review, I rented it from Amazon. I don't own it, I won't own it, and that an exception amongst the other movies in this series. My wife had a friend over, I was watching it downstairs. I suddenly felt very aware of the awful sounds at the end of the movie, I ended up turning the volume way down. It is that scene with the hammer, it's tremendously powerful. I don't think a movie has ever filled me with such an urge to get out of that place, but the camera work won't let you. It fucking brilliant, but there's nothing enjoyable about it.
TCM is one the few movies I've watched that bothers me. The only other thing I can think of to have such an effect is Se7en. I know myself well enough to know that I don't need to watch stuff like Cannibal Holocaust to know I'd be bothered by it, that it can't be unseen, so I don't bother. TCM is my limit, and I've only watched it twice in 15 years.
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- Michael Barnes
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TCM does this really well in part because it captures a couple of pretty subtle qualities of potentially horrific scenarios that everyone experiences in their lives. What if you picked up that hitchhiker? Who lives in that run-down house off the rural highway and how do they live? What if you went in there, what would you find? What if a man with a chainsaw were chasing you? Those are horror elements, and they work at a very elemental, deep psychological level. But TCM transitions us to the terror- the meathook, the dinner, etc. and it brings those horrific elements to fullest fruition when they convert to terror- an awareness of the possibility of pain, suffering and violence being inflicted on you, the viewer. And because this film is so raw, so unadorned...it manages that transition really well.
Psycho was brought up, and that's another masterful transition- in fact, maybe THE masterful transition. You have another horror situation that everyone thinks about- a vulnerable moment when you're alone in the shower and someone is in the room. Then it shifts to terror- the knife, the scream, the blood swirling down the drain. No contact. The psychology there is so strong that it doesn't need KNB effects to shock.
Once again, I'm going to stump for Candyman to make a Fortress of Horror appearance because it does some of this same stuff...but it takes a pretty traditional gothic horror story- the ol' vengeful ghost one- and transplants it to an urban setting. It's not a crumbling Victorian mansion, it's a crumbling inner city tenement. But it gets at these really quite interesting things about racial fear- the nervousness of white people among impoverished black people. There's a scene in it where the lead character goes into this bathroom in the middle of nowhere...it's just this scene of ultimate urban blight. She clearly doesn't belong there and it's uniquely scary. But that horror causes us to reflect on social concerns, prejudice and the waste of the city. "What if you were in this situation".
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Going back to Egg's question about the sequels/remakes....
The second one has some moments of unrecognized genius in it. I think trying to duplicate the first would have been foolish, so the humorous approach doesn't bother me. I think it's really not great, but I also don't think I can judge it fairly since it was so completely maligned by Cannon. Man, to think that Cannon was going to put out a Spider-Man movie with Tobe Hooper at the helm. Yeesh.
Never seen any of the others, don't care to.
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- Michael Barnes
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And...Dennis Hopper.
So...Poltergeist...Hooper or Spielberg?
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And that steak/bathroom scene...
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