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What MOVIE(s) have you been....seeing? watching?
One, Batman is a fantasy. Specifically the fantasy that one good man can stand against crime and evil and be victorious. And be the world’s greatest detective and ninja. And be massively wealthy. And handsome and charming. To say that Batman (and basically every superhero) is dumb because he uses his wealth on body armor, bat-branded throwing stars and cool cars instead of anti-poverty and anti-corruption measures is the same as critiquing rom-coms for presenting unrealistic expectations for love. Yes, adults realize this, but it’s still fun to dwell in it for ninety minutes (or three hours, maybe).
Second, for whatever reason stories of the immensely powerful raising up the downtrodden have very rarely stuck in human history. Look at the ancient myths we still have today. We don’t talk about Thor bringing rain to end droughts. We talk about him getting tricked into drinking the sea. Zeus could do anything but spent all his time screwing. Rama killed a demon but only because it kidnapped his wife. Prometheus stole fire, and Jesus healed the sick, and both suffered for it. Sensible stories of community uplift aren’t often remembered in human history.
Third, this critique doesn’t really work in universe. Batman sends the Falcones and Penguin to Blackgate, but the mentally ill go to Arkham Asylum because it’s a hospital. He wants them to get better. He wants Two-Face to be Harvey Dent again. He wants Freeze to accept his wife’s death and move on. Unfortunately Hugo Strange and Harleen Quinzel work there, but the hope remains for their healing. The last episode of Batman Beyond isn’t about Batman beating the Joker into submission but waiting with a little girl as she faced her death. For all the imagery Dark Knight evokes, he is a hopeful hero.
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Charitable millionaire playboy philanthropist costumed crimefighter is straight out of the 1930s. It does seem a little out of place dressed up in 21st century clothes.
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But if you dress a batman story in grim adult clothes, then I want equally adult themes. If you want to gloss over adult consequences and concerns, then keep the theme equally light. I don't knock Batman '66 or '89 (as 'dark' as it was then) for things I would roast '22 or especially the Snyder version for.
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My bad, got around to seeing Synchronic last night. It's in 'good but not great' territory for me. I'd have loved to see more of some things and less of others, but it's not too long and that's at least something nowadays.
Loved some cuts and especially loved how conversation and exchange of information were handled - like in reality when real people talk and not a single infodump for the viewers. Funny how this stands out, maybe goes to show how little bad script writing matters in a big production, which this isn't really.
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One particular character is sure to draw a fair amount of criticism if you choose to view the film through certain lenses but overall I quite enjoyed the movie. It is definitely a big screen experience.
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I don't think Zach Snyder is a very good director or anything but it was certainly nice to watch a superhero movie with essentially no irony or arch self awareness. No winking in Man of Steel for the most part. Obviously I'd tire of this dark selfseriousness if I watched too much of it but when I'm swimming in a sea of Marvel, Star Wars, etc that goes for the same arch tone it was pretty smooth.
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- ChristopherMD
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charlest wrote: the only thing I remember is that it had Michael Shannon in it.
He's like the best part of the movie.
@ChristopherMD I agree that that part is very weird. I have no affection for best among us superman so the other bit didnt niggle at me too badly.
Also the movie makes Clark and Lois two characters you could imagine having a relationship but they aren't given any of the actual character work or action where it makes it make any sense.
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ChristopherMD wrote: I hated Man Of Steel. Clark just stands there and watches his father die. He could have saved him but it would have ruined his secret identity. He chose a convenience over his fathers life. I will never see Snyder's Superman as anything other than an abomination and insult to the character. Just an alien who doesn't even care about the human that raised him. Which makes it hard to believe he'd fight all that hard for any of us. Never watched the following movies as I'd rather wait for a reboot that makes Superman the best of us again.
I liked MoS as an action spectacle but I 100% agree with you about the characterization of Supes and his fathers.
I MUCH prefer the idea that Jor-El DELIBERATELY sends his son to a planet where he will turn into a god so no matter what he will be invulnerable. If he is a tyrant, a savior, or a recluse, no matter, he will live and be untouchable. So it's up to Pa Kent instill humanity into Clark, teach him about sacrifice, empathy, and why bad things can still happen even if you try really really hard to stop them.
Of course I also prefer a much less god-like Supes, more like the Fleischer version that has just the strength of 10 men, not 10,000, can be hurt at times, can fly but not at the speed of plot, etc. Planet smashing supes who then fails to crush Lex Luthor like a bug is far less interesting to me because then the bad things ARE the fault of Supes and he comes off more capricious than earnest.
Now that I think about it, Chris Evans' Captain America is probably the best portrayal of Superman's attitude.
Though I would kinda like to see a Supes more like what Tarantino has in Kill Bill, this dispassionate Godbeing of such a vast intellect and power that he cosplays as a goofy human mainly for shits and giggles. I know this has been done in comics some and that Invincible cartoon is basically this idea but I think there is a nuanced take that a Nic Cage superman could pull off
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- Cranberries
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I recently reread some Olen Steinhauer books on vacation, having forgotten that I had already read them, but enjoying them more the second time because i read more slowly. Then I saw a large print copy of "All the Old Knives" at our library sale (have I mentioned my age?) and bought it and enjoyed it. Thanks for this review, it's going to be fun to see how it translates to my 12.9" iPad screen.jason10mm wrote: All the Old Knives on Amazon. This is a classic 70's style slow burn character driven spy flick. Chris Pine, absolutely NAILING a distinguished salt and pepper beard, and Thandiwe Newton, proving vampires are real and can be seen on film, star as former lovers reunited when rumors of a mole (is there ever NOT a mole? ) resurface about a failed CIA OP they worked on together in years past.
No shooting, no car chases, not really any running even, just good acting and simmering tension. Alas I think the jumping around time line, designed to keep the viewer guessing till the end, makes it kinda confusing because all you really have to go on is the color of Pines beard and the length of Thandiwes hair to orient yourself to various periods. It feels like a covid film as there are rarely more than 2-3 characters on screen at once, giving a palpable sense of isolation to many scenes.
But it holds together well enough in the end and is a suitable film for a few glasses of wine and adult company.
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Like I said upthread, I don't even have any attachment to the characters so the weird murder batman and dark superman don't really bother me. It makes sense to do a little Dr. Manhattan with superman to keep some tension. But it is so badly put together and NONE of the emotional beats between the characters work at all. Truly a marvel. Zing.
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- Disgustipater
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The real question is, when the time comes for Justice League, do you watch the Theatrical cut or the Snyder Cut?Gary Sax wrote: Continued on my staying off the internet, watching bad movies trip. I watched the next DC universe movie, Batman vs. Superman.
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Now DC is stuck with a Flash movie they can't release like they planned. Good grief that place is a madhouse.
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